Master Ho Chan (right) with Master Chum Ngek at Khao-I-Dang refugee camp in 1979. They are dressed formally as they would for a performance. The instrument is a roneat, which is similar to a xylophone. The backdrop has been painted with images of Devata, female goddesses, from Angkor Wat and Banteay Srey temples in the Siem Reap area of Cambodia.
